Review of Open Seas by The Resolectrics

Open Seas by The Resolectrics (2018, Self Released)

By Phil Favorite
That Much Further West Podcast

It seems unlikely that a rock band with such a distinct vocal sound could survive the loss of their main singer, much less carry on and thrive.

But The Resolectrics have slimmed down and muscled up.

Their new album
Open Seas picks up where its predecessor High Water left off but adds some classic British Invasion sunshine and guitar-driven fireworks to the Southern Delta R&B sound that helped the band stand out in Portland’s crowded indie rock scene.

Known originally for a three-part vocal attack and a musical sound that centered on keyboards, The Resolectrics now perform as a trio with original guitarist Tate Peterson and drummer John Becher sharing the vocal spotlight once commanded by departed keyboardist Ben Morse.

The personnel change hasn’t seemed to change the band’s philosophy — blended vocals remain at the center of the musical strategy. You hear it right off the top of Open Seas, with Peterson and Becher launching into the wild and rowdy “Elevator Blues,” a song that captures and raucous spirit of the band’s live shows and will be instantly recognizable to fans of the band’s debut.

But things start to shift from there. Layered guitar parts vary not just in sound but also in style on “Only Blind,” where a watery slide guitar hints at the psychedelic explorations that unfold as the album progresses.

On “In My Garden,” the band invokes The Beatles at their experimental best with soaring harmonies set against a mix of bouncy piano, fuzzy guitars and a lead vocal melody pulled right out of the Summer of ’67.

A few other tracks on Open Seas show the band taking a big leap forward.

On the record’s instrumental title cut, Peterson demonstrates a controlled excellence that speaks to his remarkable abilities as a guitarist and arranger. For the album’s final cut, “Cosmic Embrace,” the band cooks up a tune that is equal parts Beach Boys, The Band and Led Zeppelin.

Despite exploring these varied and classic sounds, The Resolectrics never stray too far from their American R&B roots. “No Reservations,” “Charlene” and “Got Your Letter” will have you tapping your feet with that instant familiarity that has been the hallmark of the band’s sound.

The mix of styles all comes together on the ambitious and triumphant “I Love You,” a standout track destined to be among the best songs you’ll hear all year.

Mixtape Trio Bravo:

Listen to “Elevator Blues”:  Elevator Blues

Listen to “Only Blind”:  Only Blind

Listen to “I Love You”:  I Love You

TMFWP Exclusive: Elevator Blues from The Resolectrics’ new album ‘Open Seas’

The Resolectrics (l to r): John Becher, Tate Peterson and Bob Dunham. Photo courtesy of The Resolectrics © Tim LaBarge 2018

Stream “Elevator Blues” by The Resolectrics: Elevator Blues

The Resolectrics —Portland’s singular roots rock and soul power trio — are ready to release their long-awaited sophomore album, Open Seas, due to hit record store shelves and internet streaming on Sept. 21. But they’re making the album available in CD form at select shows as the summer winds down.

The lads were kind enough to share the album’s opening track, “Elevator Blues,” as an exclusive stream for listeners of That Much Further West Podcast in conjunction with Vortex Music Magazine. With Bob Dunham’s bouncy bass line and a radio-ready vibe, “Elevator Blues” is a solid introduction to The Resolectrics’ ever-evolving sound, where twin vocals and hot guitar licks blend seamlessly with a deep, commanding groove.

The song also makes a clear connection to the Memphis-style soul sound that marked the band’s debut record, High Water. Featuring the vocals of guitarist Tate Peterson and drummer John Becher, it’s a rowdy rave-up that gets down and dirty with the help of guest David Lipkind on harmonica.

But folks should expect a few more twists and turns on Open Seas, as the band adds a dose of melodic, classic rock, pop and psychedelia to the mix.

Having built a solid following around the Northwest thanks in part to a heavy schedule of regular gigging from Central Oregon to the Oregon Coast and up into Washington, The Resolectrics appear poised to make a case as the party band of choice as the college rock radio season kicks in this fall.

The band will celebrate the arrival of Open Seas at a record-release party on Oct. 13 at Secret Society in Portland.

Episode #38 featuring Tate Peterson of The Resolectrics

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Tate Peterson of The Resolectrics. Photo by Chad Lanning

Episode #38 with Tate Peterson of The Resolectrics

It’s Thanksgiving week, and if you live in our rainy hometown of Portland, Oregon, U.S.A., you have a lot of great music to be thankful for. A couple of budding alt-country superstars and regular podcast favorites — Sturgill Simpson and Nikki Lane — have shows in town this week, as does one of our favorite local bands, the mighty Resolectrics.

That’s why we’re thrilled that guitarist and singer Tate Peterson from The Resolectrics joined us in The Helm for Episode #38 of That Much Further West Podcast. Tate’s a fantastic guitar player and songwriter and lends his playing to several bands around town, but his outstanding work as a founding member of The Resolectrics has earned him and the band kudos as rising stars in the local scene.

Tate shares a few stories of his Northern California upbringing and how the band formed around a love for classic R&B and soul music, as well as time-honored classic British rock. He shares some of the details about the making of the band’s fantastic debut record, 2013’s “High Water,” and also plays a few newer original songs, which he performed on a cool old arch-top acoustic guitar.

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Tate Peterson, live in the Helm, November 2014

This coming Friday night, The Resolectrics are hosting a holiday jubilee at Laurelthirst Public House that will feature cameos from several local players, including a couple of our podcast hosts. This show is free and open to the public and sure to be an incredible night of music.

For this latest episode, our hosts decided to play their selections in blocks as a way to talk about any themes they may have going. Mike Lee’s songs are a declaration of his love of country rock and centered around Bloodshot Records’ 20th Anniversary; Eric Kotila tells the story of a music exchange between him and our friends at This Is American Music, whose artists are represented in his block; and Phil Favorite shares some music from artists who will be playing shows in Portland this week, including the much-anticipated return of Sturgill Simpson and his band to Mississippi Studios. At the end, we sneak in a brand-new song by the great Tim Barry.

So let’s all be thankful and kick off the holiday season with some music! Here’s the song list:

On The Cover Of The Music City News, Buck Owens
Nancy Sinatra, The Bottle Rockets
Most Messed Up, Old 97’s
Heaven Has No Vacancy, Lindi Ortega
Up On The Hill, The Resolectrics
Only Blind, Tate Peterson Live In The Helm
In My Garden, Tate Peterson Live In The Helm
Your Man, The Resolectrics
Moving Target, Fire Mountain
Another Night, Caleb Caudle
Take Me To The Mountain, Great Peacock
Highway Towns, The Holy Ghost Electric Show
Annie, Rich West Blatt & The Once In A While Sky
You Can’t Talk To Me Like That, Nikki Lane
Long White Line, Sturgill Simpson
Bobby Reid, Lucette
Lost & Rootless, Tim Barry