Review of Open Seas by The Resolectrics

Open Seas by The Resolectrics (2018, Self Released)

By Phil Favorite
That Much Further West Podcast

It seems unlikely that a rock band with such a distinct vocal sound could survive the loss of their main singer, much less carry on and thrive.

But The Resolectrics have slimmed down and muscled up.

Their new album
Open Seas picks up where its predecessor High Water left off but adds some classic British Invasion sunshine and guitar-driven fireworks to the Southern Delta R&B sound that helped the band stand out in Portland’s crowded indie rock scene.

Known originally for a three-part vocal attack and a musical sound that centered on keyboards, The Resolectrics now perform as a trio with original guitarist Tate Peterson and drummer John Becher sharing the vocal spotlight once commanded by departed keyboardist Ben Morse.

The personnel change hasn’t seemed to change the band’s philosophy — blended vocals remain at the center of the musical strategy. You hear it right off the top of Open Seas, with Peterson and Becher launching into the wild and rowdy “Elevator Blues,” a song that captures and raucous spirit of the band’s live shows and will be instantly recognizable to fans of the band’s debut.

But things start to shift from there. Layered guitar parts vary not just in sound but also in style on “Only Blind,” where a watery slide guitar hints at the psychedelic explorations that unfold as the album progresses.

On “In My Garden,” the band invokes The Beatles at their experimental best with soaring harmonies set against a mix of bouncy piano, fuzzy guitars and a lead vocal melody pulled right out of the Summer of ’67.

A few other tracks on Open Seas show the band taking a big leap forward.

On the record’s instrumental title cut, Peterson demonstrates a controlled excellence that speaks to his remarkable abilities as a guitarist and arranger. For the album’s final cut, “Cosmic Embrace,” the band cooks up a tune that is equal parts Beach Boys, The Band and Led Zeppelin.

Despite exploring these varied and classic sounds, The Resolectrics never stray too far from their American R&B roots. “No Reservations,” “Charlene” and “Got Your Letter” will have you tapping your feet with that instant familiarity that has been the hallmark of the band’s sound.

The mix of styles all comes together on the ambitious and triumphant “I Love You,” a standout track destined to be among the best songs you’ll hear all year.

Mixtape Trio Bravo:

Listen to “Elevator Blues”:  Elevator Blues

Listen to “Only Blind”:  Only Blind

Listen to “I Love You”:  I Love You

Episode #89 featuring Wes Youssi

Throwback country singer Wes Youssi outside Portland little opry, Landmark Saloon. Photo by Joshua James Huff (www.JoshuaJosue.com)

Stream or download Episode #89: Episode 89 w/Wes Youssi

It’s a long way from Belividere, Illinois to the Pacific Northwest. But when singer Wes Youssi (pronounced YOW-see) wants to get in the right head space for writing his particular brand of traditional-style country music, he lets his mind travel back to that place from his childhood that holds so many warm feelings and fond memories.

The process has served Youssi well, inspiring the kind of songwriting that has earned him plaudits from near and far following the release of one of the best-loved records of 2018. Down Low, the first full-length record by Wes Youssi & The County Champs, has connected with the kind of audience Youssi only could have dreamed about upon its release last January.

Youssi has become a key player in Portland’s burgeoning country scene, which is why we were thrilled to have him join us at Landmark Saloon as the guest for Episode #89 of That Much Further West Podcast. Over the course of an hour, he shares details about the making of the album, his songwriting process, his journey from the Midwest to the West Coast, and how he came to eat a cockroach as part of a personal growth exercise.

Wes Youssi — solo and live at Landmark Saloon in Portland. Photo by Joshua James Huff

He also shares live, solo acoustic performances of the some of the songs that have will have Down Low on many lists of the year’s best records. With a throwback style in the tradition of Hank Williams and Jim Reeves, Youssi has connected with listeners and critics who long for a simpler, more direct sound that once held sway before the bombast, beats and bedazzled jeans of modern country music took over Nashville and terrestrial country radio.

You can listen to or purchase songs from Down Low and also its predecessor, the three-song Devil Woman EP, at Wes’ page at Bandcamp, and search the internet to read a rave review or two of Down Low. In the meantime, kick back and dial up this latest podcast episode to learn more about the man behind the music. And be sure to scroll down to see a video performance referred to during the interview.

Here’s the playlist from Episode #89 of That Much Further West Podcast:

Cadillac Man, Wes Youssi & The County Champs
Crazy Train (Live at Landmark)
Ready To Run (Live at Landmark)
Devil Woman (Live at Landmark)
Into A Bottle (Live at Landmark)
Green Dream, Wes Youssi & The County Champs