Review of Open Seas by The Resolectrics

Open Seas by The Resolectrics (2018, Self Released)

By Phil Favorite
That Much Further West Podcast

It seems unlikely that a rock band with such a distinct vocal sound could survive the loss of their main singer, much less carry on and thrive.

But The Resolectrics have slimmed down and muscled up.

Their new album
Open Seas picks up where its predecessor High Water left off but adds some classic British Invasion sunshine and guitar-driven fireworks to the Southern Delta R&B sound that helped the band stand out in Portland’s crowded indie rock scene.

Known originally for a three-part vocal attack and a musical sound that centered on keyboards, The Resolectrics now perform as a trio with original guitarist Tate Peterson and drummer John Becher sharing the vocal spotlight once commanded by departed keyboardist Ben Morse.

The personnel change hasn’t seemed to change the band’s philosophy — blended vocals remain at the center of the musical strategy. You hear it right off the top of Open Seas, with Peterson and Becher launching into the wild and rowdy “Elevator Blues,” a song that captures and raucous spirit of the band’s live shows and will be instantly recognizable to fans of the band’s debut.

But things start to shift from there. Layered guitar parts vary not just in sound but also in style on “Only Blind,” where a watery slide guitar hints at the psychedelic explorations that unfold as the album progresses.

On “In My Garden,” the band invokes The Beatles at their experimental best with soaring harmonies set against a mix of bouncy piano, fuzzy guitars and a lead vocal melody pulled right out of the Summer of ’67.

A few other tracks on Open Seas show the band taking a big leap forward.

On the record’s instrumental title cut, Peterson demonstrates a controlled excellence that speaks to his remarkable abilities as a guitarist and arranger. For the album’s final cut, “Cosmic Embrace,” the band cooks up a tune that is equal parts Beach Boys, The Band and Led Zeppelin.

Despite exploring these varied and classic sounds, The Resolectrics never stray too far from their American R&B roots. “No Reservations,” “Charlene” and “Got Your Letter” will have you tapping your feet with that instant familiarity that has been the hallmark of the band’s sound.

The mix of styles all comes together on the ambitious and triumphant “I Love You,” a standout track destined to be among the best songs you’ll hear all year.

Mixtape Trio Bravo:

Listen to “Elevator Blues”:  Elevator Blues

Listen to “Only Blind”:  Only Blind

Listen to “I Love You”:  I Love You

Episode #89 featuring Wes Youssi

Throwback country singer Wes Youssi outside Portland little opry, Landmark Saloon. Photo by Joshua James Huff (www.JoshuaJosue.com)

Stream or download Episode #89: Episode 89 w/Wes Youssi

It’s a long way from Belividere, Illinois to the Pacific Northwest. But when singer Wes Youssi (pronounced YOW-see) wants to get in the right head space for writing his particular brand of traditional-style country music, he lets his mind travel back to that place from his childhood that holds so many warm feelings and fond memories.

The process has served Youssi well, inspiring the kind of songwriting that has earned him plaudits from near and far following the release of one of the best-loved records of 2018. Down Low, the first full-length record by Wes Youssi & The County Champs, has connected with the kind of audience Youssi only could have dreamed about upon its release last January.

Youssi has become a key player in Portland’s burgeoning country scene, which is why we were thrilled to have him join us at Landmark Saloon as the guest for Episode #89 of That Much Further West Podcast. Over the course of an hour, he shares details about the making of the album, his songwriting process, his journey from the Midwest to the West Coast, and how he came to eat a cockroach as part of a personal growth exercise.

Wes Youssi — solo and live at Landmark Saloon in Portland. Photo by Joshua James Huff

He also shares live, solo acoustic performances of the some of the songs that have will have Down Low on many lists of the year’s best records. With a throwback style in the tradition of Hank Williams and Jim Reeves, Youssi has connected with listeners and critics who long for a simpler, more direct sound that once held sway before the bombast, beats and bedazzled jeans of modern country music took over Nashville and terrestrial country radio.

You can listen to or purchase songs from Down Low and also its predecessor, the three-song Devil Woman EP, at Wes’ page at Bandcamp, and search the internet to read a rave review or two of Down Low. In the meantime, kick back and dial up this latest podcast episode to learn more about the man behind the music. And be sure to scroll down to see a video performance referred to during the interview.

Here’s the playlist from Episode #89 of That Much Further West Podcast:

Cadillac Man, Wes Youssi & The County Champs
Crazy Train (Live at Landmark)
Ready To Run (Live at Landmark)
Devil Woman (Live at Landmark)
Into A Bottle (Live at Landmark)
Green Dream, Wes Youssi & The County Champs

August Podcast Picks

BJ Barham still stands at the center of American Aquarium, who have reached new heights on the strength of their new album, “Things Change.”

Stream or download August Podcast Picks: August ’18 Podcast Picks

We’re in the thick of the dog days of summer, and back with another batch of killer podcast picks to keep the season cooking.

This month we kick things off with a song from American Aquarium, longtime podcast favorites who are celebrating a rebirth and touring in support of their amazing new album, Things Change. With a revamped lineup, singer/frontman BJ Barham still commands the spotlight, having mastered the art of confessional songwriting while continually expanding the band’s growing audience.

Freshly re-booted: American Aquarium performing live at Mississippi Studios in Portland, OR, USA.

We were on hand just a few days ago when the new American Aquarium pulled out all the stops during their show at Mississippi Studios. Playing a set of the best songs from their vast catalog, the band quickly whipped the crowd into a frenzy and kept it loose, rocking and fun all night. It was great to see Barham smiling and having a good time, a vibe that transferred easily to the rest of the room.

We also have lots of new music to share for this month’s picks. Songs from a couple of our favorites from Wildwood MusicFest, Jaime Wyatt and Liz Cooper & The Stampede, are sprinkled in along with a few from acts we saw earlier this month at Pickathon, including Colter Wall, Paul Cauthen, Danny Barnes and Phosphorescent.

There’s also a brand new one from our friends Hillstomp, whose new album Monster Receiver will be out this fall on Fluff & Gravy Records, and another new one from Aaron Lee Tasjan, whose record Karma For Cheap is due on at the end of this month on New West Records.

And catching up from earlier this summer, we have songs from a handful of excellent new albums by Amanda Shires, Jim Lauderdale, Lucero and the title track from a super fun new one on Bloodshot Records by Robbie Fulks and Linda Gail Lewis called Wild Wild Wild.

So, lots to dig into. Let’s have at it!

Here’s the playlist for our August Podcast Picks:

Crooked + Straight, American Aquarium
Marijuana Man, Jaime Wyatt
Blow Out The Candles, Chris Shiflett
Everybody Walkin’ This Land, Paul Cauthen
Wasn’t I Paying Attention, Amanda Shires
Time Flies, Jim Lauderdale
Hagler, Hillstomp
Wild Wild Wild, Robbie Fulks and Linda Gail Lewis
Denim & Diamonds, Shooter Jennings
The Being Gone, Jamie Lin Wilson
Cover Me, Lucero
Motorcycle, Colter Wall
These Walls, Joshua Hedley
All You’ll Ever Be, Countryside Ride
What Made Me Kill, Drunken Prayer
The Night, Liz Cooper & The Stampede
Crazy Train, Wes Youssi & The County Champs
Blue Ridge Express, Danny Barnes
Heart Slows Down, Aaron Lee Tasjan
Joe Tex, These Taming Blues (Live), Phosphorescent

TMFWP Exclusive: Elevator Blues from The Resolectrics’ new album ‘Open Seas’

The Resolectrics (l to r): John Becher, Tate Peterson and Bob Dunham. Photo courtesy of The Resolectrics © Tim LaBarge 2018

Stream “Elevator Blues” by The Resolectrics: Elevator Blues

The Resolectrics —Portland’s singular roots rock and soul power trio — are ready to release their long-awaited sophomore album, Open Seas, due to hit record store shelves and internet streaming on Sept. 21. But they’re making the album available in CD form at select shows as the summer winds down.

The lads were kind enough to share the album’s opening track, “Elevator Blues,” as an exclusive stream for listeners of That Much Further West Podcast in conjunction with Vortex Music Magazine. With Bob Dunham’s bouncy bass line and a radio-ready vibe, “Elevator Blues” is a solid introduction to The Resolectrics’ ever-evolving sound, where twin vocals and hot guitar licks blend seamlessly with a deep, commanding groove.

The song also makes a clear connection to the Memphis-style soul sound that marked the band’s debut record, High Water. Featuring the vocals of guitarist Tate Peterson and drummer John Becher, it’s a rowdy rave-up that gets down and dirty with the help of guest David Lipkind on harmonica.

But folks should expect a few more twists and turns on Open Seas, as the band adds a dose of melodic, classic rock, pop and psychedelia to the mix.

Having built a solid following around the Northwest thanks in part to a heavy schedule of regular gigging from Central Oregon to the Oregon Coast and up into Washington, The Resolectrics appear poised to make a case as the party band of choice as the college rock radio season kicks in this fall.

The band will celebrate the arrival of Open Seas at a record-release party on Oct. 13 at Secret Society in Portland.

Live Review: Sarah Shook & The Disarmers at Mississippi Studios

Sarah Shook & The Disarmers returned to Mississippi Studios in Portland and proved good as gold.

Sarah Shook & The Disarmers
Live at Mississippi Studios
Porltand, OR, USA
7-24-18

By Mike Lee

Followers of That Much Further West Podcast are probably already well aware that we (and I in particular) are big fans of the music of Sarah Shook & The Disarmers. We’ve included several songs from the band’s two albums on our podcast playlists, promoted the band’s video releases, and I even wrote a glowing review for their latest album, Years.

Last September, I went to see Sarah Shook & The Disarmers at their first show in Portland at Mississippi Studios with much anticipation after several spins of their excellent debut record, Sidelong. I left the show, well let’s say, disappointed. The band was great and they played the songs with precision and very true to the album versions, but the problem was a lack of energy. The show was flat, and for an old punk rocker like me, I need to get something, anything, from the band to be able to reciprocate, or else all that whiskey I consumed would go to waste (sort of). I still bought the vinyl and a trucker hat and went about my night.

Fast forward to July 2018, and again I find myself anticipating (with some reservations) another performance by Sarah Shook, this time at last weekend’s Wildwood MusicFest. Again the band was great, but this time the energy was on point and solidified in my mind the need to go see the band three days later at our original rendezvous point, Mississippi Studios.

My how things have changed. The crowd was eager and enthusiastic and easily three times the size of the show way back in September, and on a Tuesday night no less. The band’s lineup was the same except for a drummer who had been replaced by Kevin McClain (ex-American Aquarium), and they were ready to go when Shook took the stage, strapped on her guitar and walked to the microphone.

With her long hair hanging in front of her face, Sarah shared some playful banter with the crowd before they launched into the first song off of Years, “Good As Gold.” The band played two more songs, and then it happened again — Sarah took to the mic and engaged the crowd! She was funny, charming and exuded all the swagger her music projects. I was hooked. The crowd was dancing and singing along and it all felt so good.

With the energy flowing from the stage to the crowd and back, the band was tight and continued to set the songs up to showcase Sarah’s lyrics and vocals, the real star of the show. Over the next 90 minutes or so, Sarah joked with the band and guided the crowd through 21 songs and punctuated the encore with “The Nail,” a great song from the debut album. The crowd was cheering, hooting and hollering for more as the band slipped behind the closing curtain for the night.

Set List:
Good As Gold
Heal Me
Parting Words
Fuck Up
No Name
Over You
Road That Leads To You
Nothin’ Feels Right But Doin’ Wrong
Make It Up To Mama
Lesson
Damned If I Do, Damned If I Don’t
Heartache In Hell
Keep The Home Fires Burning
Sidelong
The Bottle Lets Me Down
Misery Without Company
New Ways To Fail
Years
What It Takes
Encore:
Dwight Yoakam
The Nail

Wildwood ’18 Podcast Picks #3

GravelRoad: These cats from Seattle are ready to rock your world Friday night at Wildwood.

Stream or download Wildwood ’18 Podcast Picks #3: Wildwood ’18 Picks #3

Are you ready to party? I know we are.

That’s why we’ve put together this third installment of Podcast Picks to help you get ready for this weekend’s 7th Annual Wildwood MusicFest & Campout in beautiful Sheridan, OR, USA. And to kick things off, we fire away with three of the acts that will take you higher on the festival’s opening night: GravelRoad, Liz Cooper & The Stampede, and Jeff Crosby & The Refugees.

Liz Cooper and her band The Stampede with cast a spell with their rock and soul on Friday night at Wildwood.

Friday night should be special with these excellent acts performing, and with the night wrapping around the campfire with The Turkey Buzzards. Then it’s on to Saturday’s lineup, featuring bands with some of the most acclaimed and anticipated indie albums of the year, including The Resolectrics, Western Centuries and Sarah Shook & The Disarmers.

Don’t forget to stick around Sunday when The Wildwood All Star Review finishes the festival with its usual surprise party of killer country rock. It all adds up to what should be an unforgettable weekend of fun, friends, food, family and MUSIC!

Look for our Podcast hosts Eric Kotila and Mike Lee — they’ll be serving as MCs from the stage, sharing important announcements and introducing the bands. And be sure to thank your festival hosts Katie Kendall and Kim Hamblin if you cross paths — these ladies are the engine that drives the festival to new heights each year.

We’ll see you down there Friday! Here’s the third and final primer for your festival pre-funk. Enjoy!

Left Me Twice, GravelRoad
Hey Man, Liz Cooper & The Stampede
Hallways Of My Heart, Jeff Crosby & The Refugees
Good As Gold, Sarah Shook & The Disarmers
Misery And Gin, Jaime Wyatt
The Rumble (Liberty Chaps Mix), High Step Society
Stella, The Get Ahead
The Captain And The Dreamer, Bart Budwig
Wild Birds, Western Centuries
Your Man, The Resolectrics
Alegntaye, Tezeta Band
Geography, MAITA
Bottom Shelf Man, The Turkey Buzzards
Show Me The Mountain, The Singer and The Songwriter
Cold Night In Chicago, Alder Street
Insert Words, Hear, Cedar Teeth
No Mama Blues, The Lostines
Dirty Looks From Children, Ezra Bell
Wagon, The John Dough Boys
Moonboots, Mo Phillips

Episode #88 featuring Chuck Westmoreland

Chuck Westmoreland, back in Portland after a Southeast/Midwest tour supporting his killer new album, “Long Winter Rodeo.” Photo by Anne Marie for Local Hero Media

Stream or download Episode #88: Episode 87 w/ Chuck Westmoreland

Over the past few years, Chuck Westmoreland has emerged from Portland’s crowded indie rock scene as one of the West’s leading voices in Americana and country. His amazing new record, Long Winter Rodeo, and the incredible reviews that followed have all but cemented Westmoreland’s position as a top-notch, must-see, must-hear singer-songwriter.

Chuck Westmoreland, live at Landmark Saloon for Episode #88 of That Much Further West Podcast. Photo by Anne Marie for Local Hero Media

That’s why we were so psyched have him as a guest for Episode #88 of That Much Further West Podcast. Recorded live at Landmark Saloon, Chuck goes deep with our hosts as he discusses the making of the new record, his re-emergence after an eight-year hiatus as a singer and performer, and how revisiting his roots in East Texas inspired much of the vivid imagery captured in the songs on Long Winter Rodeo.

He also shares a handful of live performances to the delight of our team and the folks in attendance. One listen and it’s easy to understand — with this voice and these songs, Mr. Westmoreland has the chops to match the hype.

Chuck has a big show with is band coming up Thursday, July 26 at The Fixin’ To in Portland, and you can follow his exploits (reviews, show dates, updates) at his website.

For now, enjoy this latest podcast, Episode #88. Here’s the playlist; all songs by Chuck Westmoreland:

Hole In My Grave
Prisoners (Live at Landmark Saloon)
Long Winter Rodeo
Mama Be Eternal (Live at Landmark Saloon)
Slaughtered (Live at Landmark Saloon)
Denim Tears

Wildwood ’18 Podcast Picks # 2

Photo courtesy of The Resolectrics

The Resolectrics (l to r): John Becher, Bob Dunham and Tate Peterson. Photo © Tim LaBarge 2018

Stream or download Wildwood ’18 Podcast Picks #2: Wildwood ’18 Picks #2

Welcome back for our second installment of podcast picks, aimed at getting your ears ready for the 2018 Wildwood MusicFest & Campout, set for July 20-22 at Roshambo Art Farm in the beautiful Willamina/Sheridan area of Oregon.

With the festival just days away, we thought we’d kick off this session with The Resolectrics, Portland’s powerhouse R&B-tinged rock trio with a set scheduled for Saturday afternoon at the festival. This will be the band’s second performance at Wildwood, and this year’s set comes with the promise of a new album due in the fall.

Knowing the rollicking fun this band inspires, they’re an easy “must see” pick for our podcast team. Based in the classic rock and soul of the 60s and 70s, The Resolectrics take it to new heights by mixing in some psychedelic guitar and killer harmonies for a sound that’s all their own.

And they’re just one reason why this year’s festival is a can’t-miss for lovers of music from all over the spectrum. Check out the live performance of “Easier To Go” from the group Five Letter Word (video below), the classic country of “Weight of The World” by Western Centuries, and the wonderful, exploring horns on “Aynotche Terebu” by Tezeta Band. High quality stuff in a variety of styles — that’s what Wildwood is all about.

So give this latest set of picks a listen and put a check next to your “can’t miss” picks for the festival. We’ll see you down there.

Here’s the playist. Enjoy!

Up On The Hill, The Resolectrics
Easier To Go (Live), Five Letter Word
City Girls, Jeff Crosby & The Refugees
The Skinner, Alder Street
Locks, Cedar Teeth
Nights & Weekends, The Singer and the Songwriter
Weight Of The World, Western Centuries
The Newest St. Louis Toodle-oo, High Step Society
Southwest Texas, The Lostines
Wishing Well, Jaime Wyatt
Capitol Hill Country Blues, Gravel Road
Talkin’ Bout Teamwork, Mo Phillips
Kinder Than Most, MAITA
The Night,
Liz Cooper & The Stampede
Aynotche Terabu, Tezeta Band
Build Myself A Woman, The John Dough Boys
Could Be Better, The Get Ahead
The Government Is The Mafia, Ezra Bell
Keep The Home Fires Burning, Sarah Shook & The Disarmers
Wanderin’ Again, The Turkey Buzzards
Nebraska 2, Bart Budwig

 

Wildwood ’18 Podcast Picks #1

Stream or download Wildwood ’18 Podcast Picks #1: Wildwood ’18 Picks #1

It’s our favorite time of the year, when the summer season of music festivals hits its peak, and the gang from That Much Further West Podcast couldn’t be more stoked to be attending the 7th Annual Wildwood MusicFest & Campout, July 20-22 at Roshambo Art Farm in beautiful Sheridan, Oregon, USA.

The podcast team has been onsite every year, and our show hosts Mike Lee and Eric Kotila have served as festival Masters of Ceremonies from the start. We’re thrilled to be invited back by the two wonderful local businesswomen who make the festival happen, Katie Kendall and Kim Hamblin.

Sarah Shook and her band, The Disarmers, will rock your world at the 7th Annual Wildwood MusicFest & Campout.

Lovers of music and their local Willamina/Sheridan community, these two women — with the help of a fabulous team of volunteers — have captained a completely home grown festival with absolutely zero corporate sponsorship. Katie and Kim have put together some stellar line-ups over the years and kept that family-friendly atmosphere alive and well.

They also work hard to showcase local businesses as vendors and give back to the community. The festival has grown over the years but the founders seek to keep it from growing too big. A big shout out to Kim, Katie, their families, Dina Sayers and her team at Great Northwest Productions, and the scores of volunteers who make things run smoothly.

In the run up to this year’s festival, That Much Further West Podcast has put together a batch of preview playlists to give y’all a primer for the music to be featured at the 7th Annual Wildwood MusicFest $ Campout. There will be talent from all over the country and all over and the musical spectrum. Give it a listen and tell us who you are looking forward to hearing/seeing at Wildwood!

Here’s the playlist for our first set of Podcast Picks for Wildwood 2018:

New Ways To Fail, Sarah Shook & The Disarmers
Full Moon On Sunset, Jeff Crosby & The Refugees
Drownin’ In A Gallon Of Beer, The John Doe Boys
Own Private Honky Tonk, Western Centuries
Wild Heart, The Singer and The Songrwriter
Bonnie And Clyde, Bart Budwig
A Jug In The Road, Ezra Bell
Cloud Skateboard, Mo Phillips
Is You Is (Cockney Nutjob Mix), High Step Society
Wasco, Jaime Wyatt
Burger Shack, Alder Street
Coward In Georgia, The Turkey Buzzards
Mountain Man, Liz Cooper and The Stampede
Aynotche Terabu, Tezeta Band
Cancer, Cedar Teeth
Japanese Waitress, Maita
Roll Me Like A Stone, Gravel Road
Mind Is A Mountain, The Get Ahead

Episode #87 featuring James Low

James Low brought his world-class folk to Portland’s famous little honky tonk, Landmark Saloon, for Episode #87 of That Much Further West Podcast. Photo by Anne Marie for Local Hero Media.

Stream or download Episode #87: Episode 87 w/ James Low

Welcome to That Much Further West Podcast, Version 3.0. We’ve moved on from The Helm, our underground headquarters for the past four years, and have returned to our roots, relaunching from a very public place — the stage at the legendary Landmark Saloon in Portland, OR, U.S.A.

And who better to have as our first guest at Landmark than the great singer-songwriter James Low, himself a Portland institution who has returned to his roots and relaunched. Following a four-year stay with his wife in Malaysia, the couple recently returned to Portland having added a beautiful baby daughter to their family.

Quite a bit has changed around here since James was a guest on the podcast way back in its earliest days, when co-hosts Mike Lee and Eric Kotila ran the show live from the Hawthorne Theater Lounge. But the talented Mr. Low remains an institution, delighting local audiences with his world-class country folks songs.

James Low, laying it down on the stage of Portland’s Lil’ Opry, the Landmark Saloon, for That Much Further West Podcast. Photo by Anne Marie for Local Hero Media.

On Episode #87, James performs a handful of classics from his catalog, including a pair from his stunning breakthrough record, 2012’s “Whiskey Farmer.” He also talks about his time in Malaysia, the positive impact of his daughter’s arrival and the folk influences that seeped into his DNA as young man growing up in Eastern Oregon.

James is back to playing regular dates in the Portland area, and will be one of the featured artists in a couple of weeks at Wanderfest, a two-day music festival taking place June 29 and 30 at the Dundee Lodge in Gaston, OR. Please watch our calendar for featured show dates, and click here for tickets and more information about Wanderfest.

We’re looking forward to sharing more episodes as the year goes on with hopes of improving the experience for our guests, team and live listeners at Landmark Saloon. So please stay tuned!

In the meantime, enjoy this latest episode featuring the great James Low. We think you’re gonna dig it!